Photon News

A conversation with Sam Ferris about atmospheric street photography, urban solitude, and how light transforms ordinary city scenes into extraordinary moments.

Using a hand-held mirror, and his very sharp eyes, photographer Stefan Falke allows us to see street scenes from New York we’ve never seen before.

These street photographs all express a playful sensitivity to visual ideas echoed in momentary scenes.

Camera in hand, Swiss photographer Matthias Forster sets out to find moments of tension, surprise, and humor in the landscapes we often overlook.

Through layered composites of landscapes, negatives, and organic forms, Stephanie O’Connor creates chimeric images that blur boundaries between self and other — capturing the uncanny sensations of pregnancy, where cellular exchange creates lasting biological connections.

Candid photographs of people taking short breaks far from the chaos of the bustling urban activity in Taipei’s Wanhua District.

In striking and luminous black and white images, Francisco Gonzalez Camacho conjures landscapes alive in transformation to reflect the experience of rerooting in another country.

Street photography connects us with humanity in all its forms, and in turn, allows us to be and feel more human in our day to day lives—here are many, many inspiring examples from cultures around the world. Enjoy!

The photographs most often made in Cuba are easy to recognize. Vintage American cars. Colonial architecture. Revolutionary murals. Buildings marked by time, climate, and necessity. The visual language is so familiar that viewers can identify the country before reading the caption.

Moments in Transition is a body of work that I began in 2009 on a train ride between Nagoya and Matsumoto, Japan. On that day, as the landscape sped by, I made a series of photographs without consciously trying to control or compose them.

A conversation with Aline Smithson, founder of Lenscratch, about photography, independent publishing, artistic practice, visual culture, and the role of creative communities in an increasingly complex photographic landscape.

Silent Apparatus is a series that looks at the moment when places and objects made for human use begin to appear slightly detached from their usual roles. Slides, covered cars, tunnels, tennis courts, signals, roofs, and dark water appear in the work.

Greg McDonald discusses storytelling, humor, and authenticity in photography and filmmaking, reflecting on how narrative and personal truth help images stand out in an increasingly saturated visual culture.

Amidst Hong Kong’s highly urbanised districts, a wide variety of bird species have made this jungle of glass and stone their home. The most commonly seen are spotted doves, pigeons, and sparrows. However, with a closer look, one can uncover many different species, such as bulbuls, blue magpies, starlings, black kites, great egrets, and even exotic cockatoos soaring freely through the urban canyons.

It was eleven o’clock at night, and I was working silently in the attic, sitting at my desk. It felt like being in an anechoic chamber; only the slow, monotonous hum of the scanner filled the silence. My children were asleep in their rooms, and my wife was on the sofa in front of the television, two floors below.

Photojournalist Brian Cassey reflects on a career spanning decades of frontline storytelling, international events, and documentary photography, exploring memory, ethics, visual narrative, and the changing landscape of contemporary photojournalism.

The ideas of usefulness and aesthetic appearance often come into conflict over time in architecture. Decay, cracks, erosion, and palimpsests of change clash and defy our natural sense of wholeness when we look at buildings that have persisted over decades, if not centuries. I am thinking particularly of 19th and early 20th-century buildings, those that […]

Slightly enamored with the idea of architecture in photography, a clear use of terms that suggests photography to be the primary category of assessment over architecture, I have found myself leafing through books devoted to Hélène Binet, Joachim Brohm, Andrea Gehrke, Lucien Hervé, Karl-Hugo Schmölz, and others who have made architecture a central subject matter […]

Everything feels perched at the precipice of dissolution. Stifled, held in a listless and ambulatory state as the world, governed by men in search of machines, asks us to forgo the rampant onslaught of civil rights, of disagreeable concerns concerning the future, for the contrarily stale epiphany of the Great Progress, a pogrom in silhouette. […]

There has been a recent uptick in books devoted to the biographies and writings of photographers, and I am very excited about it. I wanted to share a couple of thoughts on it all. Sultan’s Water Over Thunder, published recently by MACK, includes many personal notes, anecdotes, archival letters, and ephemera from the artist’s oeuvre. It is […]

Throughout the 1990s, there was a distinct emphasis on the body and its decline. Work produced during the 90s, whether from the aids crisis or the ideological shift away from the Catholic church toward an atheistic and bodily autonomy, signaled a visceral approach to photography. The documentary Vile Bodies (1999), produced by Chris Townsend and […]

There are still true eccentrics with exceptional ability out in this world, navigating the trenches of culture, unashamed to live life as art, and art as life. These characters are often characterized by a performative lifestyle that echoes the bohemian notions of 20th-century living. I revel when I stumble across their work, find innumerable reasons […]

Jonathan Meese is one of those artists compelled by an unseen, yet pernicious, towering force that many of us cannot recognize as anything else but a steam engine powered by Satan and maybe curry wurst, lager, and a cartoonish desire to paint the times as a disgraceful embodiment of human spirit, causality, scum, and victory. […]

My first encounter with Ana Opalić’s work was not a direct encounter with her photography. As a child, I heard a story about an old maple tree in front of…

The black-and-white photograph is framed so that most of it is taken up by a high fence made of wooden slats. Our vantage point, just as that of the photographer…

I say: Whatever you do, as artists, be brave. But he says: This is not my world. Together, these catchphrases denote the content we fell into in the midst of…

Often in the evening, when everything is quiet and all the movement around me has died down, I look towards one of my living room walls. It took some time…

Contemporary Slovenian photography, or at least the selected fragment of it was presented to the domestic public in another exhibition of the Croatian Photographic Union, this time held in KlovićeviDvori….

In 1929, German photographer August Sander (1876-1964) published a book with sixty photographs portraying the people of his time. In genre terms, one might call these photographs portraits which either…

She began at this time to describe landscape as if anything she saw was a natural phenomenon, a thing existent in itself, and she found it, this exercise, very interesting and…

Media-logged journey as transcendence of “the imminent conditions of consciousness” and the naïve art-phenomenology of “reality” Đukić versus Altamira and On Kawara Assuming reality is real, its media-trace/manifestation are also…